‘Friday Lights’ at 20: Can we ever go back to Dillon?

However, this has lived through a lot of politics, from characters who served (and died) in the war in Iraq to the most outstanding season 4 episode, in which Tami consults a student who decides to terminate her pregnancy, a rarity on TV then (and not too common now). On the division, equity, and allocation of resources.

His voice resonated enough with the kinds of inspirational messages the candidates sent — or at least willingly sent, once — that both 2012 presidential campaigns adopted as their slogan: “Clear eyes, full hearts, they can’t fail.” In 2024, supporters of Kamala Harris made comparisons of Coach Taylor to former football running mate Tim Walz; The new super PAC Democratic Senate candidate from Texas, James Talarico, is named “Texas Forever,” as quoted by Tim Riggins.

America in 2006, during the late George W. Bush era, was hardly unpolished; the concept of red and blue has already been confirmed. But the show was rooted in the idea that, however purple, a town like Dillon’s could contain a crowd that disagreed but stayed together.

At the end of the series, the Taylors leave Dillon, with Tami taking a big academic job from East after years in her husband’s career. (You won’t believe how romantic the phrase “Would you like me to Philadelphia with you, I’ll love you?” is until you hear Eric Taylor speak.) Seen from 2026, The Taylor Movement seems to be a metaphor, if ignored, for the world order of recent years, with small red towns and places like Philadelphia clustered with blue-coded Tami doctors.

What is Dillon like today? Do the people who stayed there have anything in common with those who left? Do you ever visit Taylors? Do you still like home? If you grew up, as I did, in a small town somewhere in middle America, you learned that the answers to these questions aren’t always the stuff of TV shows.

Maybe “Friday Night Lights” has always been a bit of a beautiful dream. Maybe the Dillons of America will never be like Dillon TV. Perhaps part of the appeal of the show then and now is more desirable: that it would happen one night every week, where we could sit in the same bleeder, with our eyes fixed on the firm oval of the sky, waiting for it to descend.

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